dansk for dinner, 1967

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here i go again. instead of making dinner i'm flipping through the pages of betty crocker's hostess cookbook featuring more than 400 guest-tested recipes. how much do i love this place setting!

wanna try this at home? head to ebay for the candle holder and the "fluted flamestone" pattern dinner plate. on my first sweep i couldn't find the flatware or glass but with some more digging i'm sure it's all there.

now i think i'll go decide what to eat.

(from betty crocker's hostess cookbook featuring more than 400 guest-tested recipes 1967)

tiles, 1968

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of course i love all of the pattens and colors but my favorite is the edith heath prototype design (first picture upper right) that used "dipped glazes that lend themselves to the establishment of interesting patterns of color flow by proper placement".

(from california design ten, passadena art museum, 1968)

"the arts of daily living" los angeles county fair, pomona, california 1954

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the 1954 fine arts exibition "the arts of daily living" at the los angeles county fair featured the work of some amazing artists & designers.

in the living room: mural by richard haines, sculpture by albert stewart, benches by georg jensen and ceramics by bernard kester, eunice prieto and peter voulkos.

the room in the center picture was designed by house beautiful magazine and is accessorized with ceramics by harrison mcintosh, gertrude & otto natzler, rupert deese and bob stocksdale. tile mural by phil dyke.

the furniture in the dining room was made by george nakashima and the table is set with pottery by marguerite wildenhain.

(postcards from my collection)

potpourri...by paul laszlo for pomona tile, 1957

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in 1957 pomona tile hired dorothy liebes, paul mc cobb, saul bass, paul laszlo and millard sheets to design tiles for their "distinguished designer series".

paul laszlo was an architect, industrial designer and interior decorator based in beverly hills. he designed homes for many celebrities as well as a few bullocks and saks fifth avenue stores.

(pomona tile advertisement 1957)

kashmir...by dorothy liebes for pomona tile, 1957

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in 1957 pomona tile hired dorothy liebes, paul mc cobb, saul bass, paul laszlo and millard sheets to design tiles for their "distinguished designer series".

dorothy liebes was a weaver and textile designer from san francisco. she was well known for her bold color combinations and use of unexpected materials such as jute, plastic threads, ticker tape, grass, leather, straw, ribbon, and metallic yarns. dorothy also collaborated with many architects such as frank lloyd wright.

(pomona tile advertisement 1957)

bahama reef...by millard sheets for pomona tile, 1957

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in 1957 pomona tile hired dorothy liebes, paul mc cobb, saul bass, paul laszlo and millard sheets to design tiles for their "distinguished designer series".

millard sheets was an artist who grew up in the pomona valley and attended the chouinard art institute. he is very well known for his murals for home savings (now washington mutual) in and around los angeles.


(pomona tile advertisement 1957)

otto natzler 1908-2007

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otto natzler was born in germany and his first job was designing the color schemes for men's neckties. his passion for clay began when he met gertrud who he had fallen in love with and soon married. their experiments in clay grew into a collaboration where she threw the pots and he did the glazing. world events forced them to flee to los angeles in 1937 where they started the work that would lead them to rank among the most important studio potters of the mid 20th century. pictured above are the natzlers working in their studio in 1940.

after gertrud's untimely passing in 1971 otto did not work for several years. gertrud did leave behind about 200 pots which otto did eventually glaze. while continuing to perfect the over 1,000 glazes that he developed in his lifetime, he finally started his own slab work (as pictured below in a shot from 1982). he remained very active (attributed to his yoga practice) well into his 90s.

the natzler's work is totally beyond breathtaking, i really can't find the words to describe how i feel when i see one of their pieces in person. for those of you not familar with their work i hope the picture of the yellow bowl (below) from 1956 gives you an idea.

i had the honor of being introduced to otto at a museum opening several years ago. it was such a joy for me to shake his hand and tell him how much i admire his work.

(all images from "gertrud and otto natzler - collaboration/solitude" a 1993 exibition catalog for a show at the american craft museum)

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eva zeisel in person at the broadway department stores, 1957

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"for versatility in shapes that serve, and delight in decorating after the dining is done."

50 years ago this week eva zeisel made personal appearances at several
broadway stores in southern california. she was promoting her "hi-fi" collection: a "concert in color" available in tocata blue, allegro yellow and andante white.

special thanks go out to my friend jim who came across this ad while researching eva. if you happen to make it to the eva zeisel show at the mingei (which i hope you do) you will delight is seeing many pieces from his collection that he lent to the exibition.

(from the "los angeles times" march 17, 1957)

eva zeisel, tomorrow's classic, 1952

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yesterday i had the pleasure of seeing the eva zeisel show at the mingei museum. eva is 100 years old and still working! how inspiring. the show features work spanning her entire career.

located in san diego's balboa park, the mingei museum was founded by potter martha longenecker. i have seen many amazing shows there.

(image from "eva zeisel, desinger for industry" 1984)

pottery ranch sign, monrovia, california

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a few years ago we got stuck in really bad traffic coming back from the desert. i just couldn't stand it and decided to get off the freeway and take surface streets home. you could imagine how i felt when i came across the pottery ranch.

unfortunately they had just closed for the day. when i went back to shop i was a tad disappointed because it looked like the pottery ranch had seen better days, but that all went away after i did some digging and found a harrison mcintosh for mikasa butter dish lid!

even though the stock is dwindling and pretty picked over (trust me i've looked through every nook & cranny) it's worth a trip if only to see that magnificent sign.

(digital photo taken by me)

ABOUT

  • i draw inspiration for my work from vintage crafts + design, particularly of the 60s + 70s. please think of this blog as a sketchbook where i share my inspirations + observations (as opposed to providing instructions, patterns + sources for craft supplies). i do not make copies of anything from my collection and am unable to respond individually to such requests. thanks!

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THE FINE PRINT

  • Many of the images are from my collection of vintage books, magazines, ephemera and found photos. Whenever possible I cite the sources of the images I post. In some instances I will be showing some of my original work that has been inspired by the images I feature. Please be respectful and do not copy or reproduce anything without my permission.